How has it come about that we use the highly emotive word “stagnation”, with all its malodorous and malarial overtones, for what other ages have called “permanence”? Why does the word at once suggest to us clumsiness, inefficiency, barbarity? When our ancestors talked of the primitive church or the primitive purity of our constitution they meant nothing of that sort… Why does “latest” in advertisements mean “best”? Well, let us admit that these semantic developments owe something to the nineteenth-century belief in spontaneous progress which itself owes something either to Darwin’s theorem of biological evolution or to that myth of universal evolutionism which is really so different from it, and earlier… But I submit that what has imposed this climate of opinion so firmly on the human mind is a new archetypal image. It is the image of old machines being superseded by new and better ones. For in the world of machines the new most often really is better and the primitive really is the clumsy. And this image, potent in all our minds, reigns almost without rival in the minds of the uneducated. For to them, after their marriages and the birth of their children, the very milestones of life are technical advances. From the old push-bike to the motor-bike and thence to the little car; from gramophone to radio and from radio to television; from the range to the stove; these are the very stages of their pilgrimage. But whether from this cause or from some other, assuredly that approach to life which has left these footprints on our language is the thing that separates us most sharply from our ancestors and whose absence would strike us as most alien if we could return to their world. Conversely, our assumption that everything is provisional and soon to be superseded, that the attainment of goods we have never yet had, rather than the defense and conservation of those we have already, is the cardinal business of life, would most shock and bewilder them if they could visit ours.
-C. S. Lewis, “De Descriptione Temporum” [Inaugural Lecture from the Chair of Medieval and Renaissance Literature at Cambridge University, 1954]
according to Script 